17 October 2024, The Tablet

A kaleidoscope of sound


Solomon’s Knot make the case for a very different kind of ensemble from early music’s autocracies.

A kaleidoscope of sound

Was Monteverdi’s 1610 Vespers ever performed at all?
Picture Art Collection / Alamy

 

Monteverdi Vespers, Solomon’s Knot
WIGMORE HALL, LONDON

 

CLASSICAL MUSIC was in the headlines this summer, and not for good reasons. Sir John Eliot Gardiner, founder-conductor of the Monteverdi Choir & Orchestra, was terminated by his own ensemble after “punching and slapping” a soloist. As factions formed around the incident, and the conductor’s subsequent decision to establish a new rival group, questions emerged around early music’s many autocracies. Is this, they asked, “the price we pay” for genius?

Get Instant Access

Continue Reading


Register for free to read this article in full


Subscribe for unlimited access

From just £30 quarterly

  Complete access to all Tablet website content including all premium content.
  The full weekly edition in print and digital including our 179 years archive.
  PDF version to view on iPad, iPhone or computer.

Already a subscriber? Login